ハウカンプ イリス (HAUKAMP Iris)
氏名 / Name | ハウカンプ イリス (HAUKAMP Iris) |
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所属職名 / Affiliation | 大学院国際日本学研究院/准教授 Institute of Japan Studies/Associate Professor |
電子メール / Email | haukamp@tufs.ac.jp |
ウェブページ / Website | |
学位 / Degree |
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研究分野(e-Rad分野) / Research Field(s) (by e-Rad) |
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研究キーワード / Research Keywords |
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所属学会 / Affiliated Academic Societies
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SOAS Centre for Media and Film Studies
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SOAS Japan Research Center
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International Association for Media and History
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日本映像学会Japan Society of Image Arts and Sciences (JASIAS)
主要研究業績 / Main Research Publications
論文 / Papers
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ゾンビとパンデミック的思考―社会的恐怖と映画記述, パンデミックの言説, 2022年Zombies and pandemic thinking: social fear and film technology, The Pandemic Discourses, 2022
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Introducing Asian Sound Cultures, Asian Sound Cultures: Voice, Noise, Sound, Technology, 1-16, 2022
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Listening to the talkies: Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption, Asian Sound Cultures: Voice, Noise, Sound, Technology, 141-161, 2022
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The four lives of Matsugorō the Lawless: agency, constraint and what is “worthy” of film censorship in trans-war Japan, Japanese Visual Media: Politicizing the Screen, 47-70, 2021年
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The Group of the Roaring Waterfall: Researching the Narutaki gumi filmmaking collaborations (1934-1937), Journal for Japanese Studies, 10巻, 153-170, 2020年
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The festival of nations that never was: nationalist transnationalism in the 1940 Winter Olympics and the Japanese German film collaboration The People’s Oath (1938), Japan Beyond its Borders: Transnational Approaches to Film and Media, 2020年
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Troubling bodies on the silver screen: The politics of representing female bodies in , 欧宝体育平台_欧宝体育在线-app下载 国際日本学研究 報告 Ⅲ CAAS & NINJAL ユニット合同セミナー 2017「言語?表象?歴史」, 5-10, 2018年
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Early film flows: Japan, Germany, and the compromises of coproduction, Historical Journal of Film, Radio, and Television, 37巻2号, 174-202, 2017年
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Itami Mansaku, contested history, and editorial interventions: Cinema and our understanding of the past, Proceedings International Symposium Internationalising Japan Studies: Dialogues, Interactions, Dynamics , 43-48, 2017年
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Filmraum Tokyo: Vom nansensu slapstick zur Sozi